Tag / The Sopranos

by admin

iTunes Top 200: #8

Music.  It is a powerful thing that brings people together, creates memories, and evokes emotions.  It is the universal language that speaks to the soul.  It forms the soundtrack of our lives.

It has now been five years since we last counted down the Top 200 songs in my iTunes library, featuring he songs I have listened to the most since 2007.  It is time to do so again, seeing which older songs still resonate and if any newer ones have joined the fray.  So, without further ado, here are my most listened to songs, based on number of plays as of January 1, 2025.

Today, we continue with our in-depth look into each song in the top ten.  Two songs have tied for the eighth most listened to song in my library, with 144 plays since my stats began in late 2007.  Both have ties to the baseball team on the south side of Chicago and the various playlists I have made for them over the years.

#8: Journey – Don’t Stop Believin’
iTunes stats: 144 plays, most recently on 8/27/2024
Previous ranking: #8

Originally released in October of 1981 as the second single off the band’s Escape album, the song peaked at #9 on the Hot 100 and quickly became one of the band’s signature hits.  The song got a second life in the 2000s, starting locally after it became the rallying cry for the 2005 White Sox when A.J. Pierzynski and teammates heard it being sung in a bar in Baltimore.  Steve Perry, who was the band’s lead singer when the song was recorded, was on the field following Game 4 celebrating with the team and sang the song at the rally back in Chicago two days later.  It finally dropped off my White Sox victory playlist starting with the 2015 season.

In 2007, it appeared in the final episode of The Sopranos, which led to a surge in digital downloads of the song.  In 2012, it became the best-selling digital track from the 20th century, and it surpassed 7,000,000 downloads by 2017.  In 2021, the song inducted into the Grammy Hall of Fame.

#8: Icona Pop – I Love It (Feat. Charli XCX)
iTunes stats: 144 plays, most recently on 9/28/2024
Previous ranking: #14

Featuring vocals from British singer Charli XCX, the song by the Swedish synth-pop duo became their first US hit, peaking at #7 on the Billboard Hot 100 in 2013 following an appearance of the HBO show Girls.  The song was written by Charli XCX after the group’s producer sent her two of the duo’s beats, but she knew she couldn’t release it on her own due to the difference in sound.

Over the last decade, the song has been played often at the former Guaranteed Rate Field both to pump up the crowd and for between inning highlight packages.  It’s inclusion on recent entries of my White Sox victory playlist has led to its rising total.

by admin

Fifty Years Of Music – 1995

Fifty years ago, I made my first appeared on the Earth.  In celebration, we are going to take a look at the year-end Billboard Hot 100 singles chart for each year of my life and see what songs resonated with me at the time and if they continue to do so to this day.

We continue our look back at the music of my lifetime with 1995, the year I finished my third year of college, started working at the bank during the summer, returned to West Lafayette for my fourth year of college, and celebrated my 21st birthday.  This is also the year that my CD player boombox, that I got for Christmas back in 1991, started to die.  Despite numerous attempts to repair the cassette heads, nothing seemed to work.  With 44 songs that remain familiar to me today, we have fallen below 50% for the first time since 1987.  29 of them appearing in my collection in one way or another.

#100: Van Halen – Can’t Stop Lovin’ You
iTunes stats: 0 plays

The final Van Halen track to crack the Top 40, it peaked at #30.

#99: Soul Asylum – Misery
iTunes stats: 21 plays

Reaching #20 on the Hot 100, it sat atop the Modern Rock Tracks chart.

#95: The Pretenders – I’ll Stand By You
iTunes stats: 14 plays

The second single from the group’s sixth studio album, it went to #16 on the Hot 100.

#93: Rednex – Cotton Eye Joe
iTunes stats: N/A

Based on a traditional country song, it topped out at #25.

#90: Melissa Etheridge – If I Wanted To
iTunes stats: N/A

Peaking at #16 in March, the song was the final single from Etheridge’s breakthrough fourth studio album.

#85: Better Than Ezra – Good
iTunes stats: 17 plays

Written in late 1990/early 1991, this lead single from the group’s major label debut reached #1 on the Modern Rock Tracks chart, #3 on the Album Rock Tracks chart, and #30 on the Billboard Hot 100.

#82: Crystal Waters – 100% Pure Love
iTunes stats: N/A

Appearing on the year end chart for the second straight year, it was one of the longest charting singles in history at the time of its release.

#81: U2 – Hold Me, Thrill Me, Kiss Me, Kill Me
iTunes stats: 22 plays

Featured on the Batman Forever soundtrack, it went to #16 and received two Grammy nominations.

#78: Annie Lennox – No More I Love You’s
iTunes stats: N/A

The lead single from her sophomore solo effort, it topped out at #23 and was used in the first episode of The Sopranos.

#70: Bon Jovi – This Ain’t a Love Song
iTunes stats: N/A

Peaking at #14, the ballad was the lead single from the group’s sixth studio album.

#67: Sheryl Crow – All I Wanna Do
iTunes stats: 24 plays

Ranked by Billboard as the 405th best pop song of all time, it charts for the second straight year.

#63: 69 Boyz – Tootsee Roll
iTunes stats: 15 plays

Topping out at #8 in January of 1995, it makes the year-end list for the second straight year.

#61: Tom Petty – You Don’t Know How It Feels
iTunes stats: N/A

The final Top 40 hit of Petty’s career, it reached #1 on the Album Rock Tracks chart and #13 on the Hot 100.

#60: Natalie Merchant – Carnival
iTunes stats: 30 plays

The lead single from Merchant’s solo debut, it topped out at #10 and remains her highest charting solo single.

#58: Skee-Lo – I Wish
iTunes stats: 14 plays

The first and last charting single from the rapper, his debut track went to #13 and earned a Grammy nomination.

#56: Michael Jackson and Janet Jackson – Scream
iTunes stats: N/A

The first single in the history of the Hot 100 to debut at #5, which ended up as the highpoint for the duet between the Jackson siblings.

#55: Del Amitri – Roll to Me
iTunes stats: 18 plays

The highest charting single from the Scottish band in the US, it peaked at #10.

#54: Corona – The Rhythm of the Night
iTunes stats: N/A

Released in 1993 as the group’s debut single in their home country of Italy, it eventually reached #11 in the US.

#53: Dr. Dre – Keep Their Heads Ringin’
iTunes stats: 39 plays

The lone single released from the Friday soundtrack, the song topped the Hot Rap Tracks chart and cracked the top ten at #10 on the Hot 100.

#52: Jamie Walters – Hold On
iTunes stats: 15 plays

His solo debut following the cancellation of The Heights, it topped out at #16 and was his one and only charting single.

#50: Boyz II Men – I’ll Make Love to You
iTunes stats: 21 plays

Having spent fourteen weeks at #1 in the fall of 1994, it spends its second year on the year-end chart.

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by admin

Fifty Years Of Music – 1982

Fifty years ago, I made my first appeared on the Earth.  In celebration, we are going to take a look at the year-end Billboard Hot 100 singles chart for each year of my life and see what songs resonated with me at the time and if they continue to do so to this day.

We continue our look back at the music of my lifetime with 1982, the year I moved from second to third grade and turned 8.  Given my late-October birthday.  Songs from movies would be the only ones I knew from their original release.  Only 29 of the Hot 100 are familiar to me now, with 20 of them appearing in my collection in one way or another.

#96: Loverboy – Working for the Weekend
iTunes stats: N/A

The first single from the group’s second album, it topped out at #29 but was eventually ranked #100 on VH1’s 100 Greatest Songs of the 80s.

#91: Kim Wilde – Kids in America
iTunes stats: 15 plays

Released a year earlier in the UK, this first single from Wilde peaked at #25 on the Hot 100 despite heavy radio play and acclaim on MTV.

#88: Van Halen – Oh, Pretty Woman
iTunes stats: 12 plays

Intended as a non-album single before the band went on a planned hiatus, it became their second Top 20 hit, reaching #12.

#87: The Go-Go’s – Vacation
iTunes stats: 17 plays

Peaking at #8, the song was the group’s second, and final, top ten hit.

#79: The Police – Every Little Thing She Does Is Magic
iTunes stats: 21 plays

Originally written for a 1976 demo, the tune topped out at #3 on the Hot 100.

#78: Joan Jett & The Blackhearts – Crimson and Clover
iTunes stats: 10 plays

This cover of the Tommy James and the Shondells hit from 1968 reached #7 on the chart, the band’s second-highest charting single.

#75: Laura Branigan – Gloria
iTunes stats: 13 plays

Originally written and recorded as an Italian love song in 1979, Branigan’s reworking of the tune spent three weeks at #2 late in 1982.

#73: Journey – Don’t Stop Believin’
iTunes stats: 143 plays

Peaking at #8 on the Mainstream Rock chart and #9 on the Hot 100, the song gained a second life in the 21st century thanks to, among others, the final episode of The Sopranos and, locally, its use by the 2005 World Series Champion Chicago White Sox.

#68: Jackson Browne – Somebody’s Baby
iTunes stats: 17 plays

Recorded for the Fast Times at Ridgemont High soundtrack, the song reached #7, becoming Browne’s highest charting hit and his final top ten.

#63: The Go-Go’s – Our Lips Are Sealed
iTunes stats: 17 plays

The band’s debut single, it peaked at #20, but spent 30 weeks on the Hot 100.

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by jim

Book 4 (of 52) – The Revolution Was Televised

The Revolution Was Televised: The Cops, Crooks, Slingers And Slayers Who Changed TV Drama Forever - Alan Sepinwall

The Revolution Was Televised: The Cops, Crooks, Slingers And Slayers Who Changed TV Drama Forever – Alan Sepinwall

Starting in the late 1990s, as cable networks started to look to provide more viewing options than reruns of Benson and The Rockford Files and struggling netlets looked to find an identity in order to challenge the big 4, television entered what can only be described as a golden age of quality programming.  TV critic Alan Sepinwall looks at the 12 shows that blazed this new trail, garnering hundreds of Emmy nominations in their wake.

The main leader of this revolution was HBO, which aired 4 of the 12 series Sepinwall profiled.  Whether it was the goings on in Emerald City in the prison drama Oz or the dirty dealings of the western Deadwood or the drug-fueled and gang-infested streets of Baltimore in The Wire or the family run New Jersey business on The Sopranos, HBO showed that their “It’s not TV, it’s HBO” promos were more than just a slogan.

Seeing the success that HBO had with their scripted dramas, other cable networks looked to change their fortunes by following the same path.  FX was looking to reinvent itself and succeeded with The Shield.  AMC broke through in a big way with two hits, Mad Men and Breaking Bad, the only two shows in the book that are still on the air.  Even the channel formerly known as SciFi managed to find themselves a hit with the remake of Battlestar Galactica.

The one place it is much harder to be revolutionary is on network TV, but that doesn’t mean it is impossible.  Against all odds, ABC took a germ of an idea from an outgoing network chief and somehow ended up with Lost.  The WB, trying to find something to air besides “ethnic” sitcoms, turned to a re-imagined Buffy The Vampire Slayer.  NBC also looked to the cineplex for inspiration and found themselves with Friday Night Lights.  Not to be outdone, FOX managed to turn what could have become a tiring gimmick into the long running 24.

Sepinwall goes back and interviews most of the power-brokers behind the scenes of these revolutionary shows and provides an in-depth look at how they came to be and the struggles it took to get them on the air.  If I wasn’t already reading Sepinwall’s reviews, I would certainly start after finishing this book.