Tag / Tanya Pearson

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2025: The Year In Books

As 2025 comes to a close, my fifth full year of remote working, I managed to once again surpass my previous records by completing a whopping 66 books, five books more than my previous high set last year and my fifth consecutive year completing the 52 books in 52 weeks challenge.  I completed the challenge in mid-October and surpassed last year’s total in early-December.  I read 25,279 pages, by far my highest total of all time and just the third time I’ve managed to surpass 20.000 pages.

Of those books, only two were non-fiction and, of the remaining 64 novels, only six were tied to a TV show, either as the source material or as a tie-in.  None of the books came out of my dwindling “to-read” drawer, with two hard covers, three paperbacks, 61 e-books and no audiobooks.  I was forced to switch my library card from the Chicago Public Library to my local library, which slowed me down a little but still led to 55 of the books I consumed throughout the year.

Over 71% of the books I read this year were by authors I had read before. The 21 authors that I read for the first time this year were:

Coco Mellors Aisling Rawle Stephen Graham Jones
Liz Moore Natalie Sue Kaliane Bradley
Max Brooks Mary Shelley Paul Tremblay
Nathaniel Hawthorne Kelly Bishop Tanya Pearson
Liane Moriarty Benjamin Stevenson Ashley Winstead
Ashley Elston Alison Espach Alice Feeney
Ali Land Lindsay Jamieson Jeneva Rose

Karin Slaughter, Laura Lippman, Kathy Reichs, Lee Goldberg, Stephen King, Emily Henry, Elin Hilderbrand, and Rebecca Forster were the authors that I read multiple titles from during 2025, accounting for nearly 35% of my total.

22 of the books I read were released this year, while none were released during the 20th century.  Two came from the 19th century, with the oldest first published in 1818.

Finally, the breakdown by month, which was fairly consistent across the entire year. Continue reading →

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Book 32 (of 52) – Pretend We’re Dead

Pretend We’re Dead: The Rise, Fall, and Resurrection of Women in Rock in the ’90s – Tanya Pearson

In Pretend We’re Dead: The Rise, Fall, and Resurrection of Women in Rock in the ’90s, Tanya Pearson dives into the evolution of women in the alternative rock music scenes of the 1990s, the commercialization and mainstream absorption of alternative rock, which led to the marginalization of many of these artists, and the resurgence of these female artists in the 2010s and ’20s, both for their own careers and as catalysts for the young artists emerging today.

The book chronicles the significant impact that female musicians and rock bands had in the ’90s, including Courtney Love of Hole, Shirley Manson of Garbage, Nina Gordon and Louise Post of Veruca Salt, and Tanya Donelly of Belly, alongside solo acts like Liz Phair and Tracy Bonham. These women not only dominated the airwaves but also challenged the traditional, often misogynistic, norms of the music industry, being outspoken, unapologetic, and helping to redefine the notion of femininity in rock.  At least until the shifting landscape of the music and radio industries left them behind, starting with the rise of nu-metal in 1997 and the inherent misogyny that entailed and, finally, in the backlash against non-conformity following the 9/11 attacks.

This era and these artists covered by Pearson were the soundtrack to my college experience.  There are the groups I listened to, the concerts I went to, and, in many cases, still do today.  I’ll need to do some homework to catch up on the newer releases and to see how their influence has spread amongst the artists of today.