2025: The Year In Books

As 2025 comes to a close, my fifth full year of remote working, I managed to once again surpass my previous records by completing a whopping 66 books, five books more than my previous high set last year and my fifth consecutive year completing the 52 books in 52 weeks challenge.  I completed the challenge in mid-October and surpassed last year’s total in early-December.  I read 25,279 pages, by far my highest total of all time and just the third time I’ve managed to surpass 20.000 pages.

Of those books, only two were non-fiction and, of the remaining 64 novels, only six were tied to a TV show, either as the source material or as a tie-in.  None of the books came out of my dwindling “to-read” drawer, with two hard covers, three paperbacks, 61 e-books and no audiobooks.  I was forced to switch my library card from the Chicago Public Library to my local library, which slowed me down a little but still led to 55 of the books I consumed throughout the year.

Over 71% of the books I read this year were by authors I had read before. The 21 authors that I read for the first time this year were:

Coco Mellors Aisling Rawle Stephen Graham Jones
Liz Moore Natalie Sue Kaliane Bradley
Max Brooks Mary Shelley Paul Tremblay
Nathaniel Hawthorne Kelly Bishop Tanya Pearson
Liane Moriarty Benjamin Stevenson Ashley Winstead
Ashley Elston Alison Espach Alice Feeney
Ali Land Lindsay Jamieson Jeneva Rose

Karin Slaughter, Laura Lippman, Kathy Reichs, Lee Goldberg, Stephen King, Emily Henry, Elin Hilderbrand, and Rebecca Forster were the authors that I read multiple titles from during 2025, accounting for nearly 35% of my total.

22 of the books I read were released this year, while none were released during the 20th century.  Two came from the 19th century, with the oldest first published in 1818.

Finally, the breakdown by month, which was fairly consistent across the entire year. Continue reading →

Book 60 (of 52) – Horror Movie

Horror Movie – Paul Tremblay

Nobody is quite sure what to make of the last remaining cast member from a 30-year-old underground, cult horror film that never actually got released as he works to get the Hollywood reboot off the ground.  Recollecting the original shoot, and all of the horrors that went along with it, he starts to once again inhabit the mindset of his character, bad news for all involved.

Much like Jeneva Rose’s Home Is Where the Bodies Are, Horror Movie by Paul Tremblay shows once again that a good way to draw me towards your book is to feature a VHS cassette on the cover.  This story had an interesting premise, but, for me, went off the rails in the third act.  I don’t know if I will want to go back to the Tremblay well any time soon, but we will see.