When a lawyer is appointed to represent a young girl whose parents are going through a nasty divorce following the suspicious death of the girl’s nanny, she finds, at first, a kindred spirit, going through the same trauma she did as a child.  The more time she spends with the girl and her family, she starts to think that the girl is responsible for the death and is inspired to look into the death of her own mother.  When her world is rocked by what she finds out about her own past, can she find out what is truly happening with the young girl and her providers?

Sarah Pekkanen returns with her latest solo effort, House of Glass, her second straight outing without longtime collaborator Greer Hendricks.  She tells an intriguing tale, toying with the stereotypical evil child trope before going down a different path.  I look forward to what she comes up with next, either alone or in collaboration with others.