Tag / Apple TV

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Book 37 (of 52) – Margo’s Got Money Troubles

Margo’s Got Money Troubles – Rufi Thorpe

When Margo, a young college student with no real plan for life, finds herself with child thanks to her English professor, she is unprepared for the realities of what keeping the child will mean.  After getting a small payoff from the father’s family in exchange for dropping out of school and leaving them alone, she finds that the only way for her to make ends meet is to start an OnlyFans page.  With the help of her roommate and her ex-wrestler junkie father, she starts to make things work, but a sudden custody battle and a separate CPS complaint by her estranged mother leaves her questioning her choices.

Margo’s Got Money Troubles, a 2024 Goodreads Choice nominee from Rufi Thorpe, first came to my attention earlier this year thanks to the Apple TV adaptation starring Elle Fanning.  It is an interesting tale, following the young protagonist and she struggles to find a place in the world and leaving her with a clear plan that should lead to future success.

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Book 23 (of 52) – The First Time I Saw Him

The First Time I Saw Him – Laura Dave

Five years after her husband disappeared, Hannah Hall and her stepdaughter, Bailey, have acclimated to their new normal.  When Bailey’s grandfather Nicholas is reported to have died, though, they quickly find themselves back in danger and on the run once again.  Thanks to mysterious messages Hannah has received from her missing husband, they head to France, where a surprise reunion leads them to a final gambit to ensure their safety and freedom forever.

Laura Dave returns with The First Time I Saw Him, a sequel to 2021’s best-selling The Last Thing He Told Me.  I don’t know that a sequel was narratively needed, but I suppose its success, both in book-form and on Apple TV, meant one was inevitable.  It was an enjoyable, if somewhat predictable, tale and a good ending for these characters.  I look forward to her next original work and seeing where that takes us.

 

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2025: The Year In Television

With fewer good productions airing on network and cable networks and instead moving to the various streaming platforms, that seems to have taken over as my main form of non-game show or sports television watching. Now that I work from home full time, I have plenty of time to take in whatever they have to offer. Since we cover the network and cable shows that I watch elsewhere, let’s take a look at the 17 seasons of shows I streamed on eight different platforms this year.

Based on a True Story Season Two (Peacock)
A copycat killer starts terrorizing LA.

Black Doves Season One (Netflix)
When a spy’s lover is killed, she puts her undercover identity in jeopardy to find out what happened.

Black Mirror Season Seven (Netflix)
The British anthology returns with a strong six-episode season, including a sequel from a previous favorite.

Criminal Minds: Evolution Season 18 (Paramount+)
The BAU returns once again, following up on plot threads from the previous season.

Doctor Who Season Two (Disney+)
Ncuti Gatwa exits what was intended to be a new era for Doctor Who.

Ginny & Georgia Season Three (Netflix)
Georgia’s past comes back to haunt her, and her kids pay the price.

Mr. Mercedes Seasons One – Three (Peacock)
An adaptation of the Bill Hodges trilogy of novels by Stephen King.

On Call Season One (Amazon Prime)
A training officer and her rookie try to keep the streets of Long Beach safe.

Only Murders in the Building Season Five (Hulu)
Steve Martin, Martin Short, and Selena Gomez return for another investigation into a murder in their building.

The Pitt Season One (Max)
Noah Wylie returns to the emergency room.

Pluribus Season One (Apple TV)
A space virus has turned the human race into a single hive mind, save for a handful of immune survivors.

Poker Face Season Two (Peacock)
Rian Johnson and Natasha Lyonne return after more than a year for a second installment.

The Sex Lives of College Girls Season Three (HBOMax)
The final season sees Reneé Rapp move on for a music career and a new roommate move in to take her place.

Shrinking Season Two (Apple TV+)
Brett Goldstein joins the cast as the drunk driver who killed Jimmy’s wife.

The White Lotus Season Three (HBOMax)
The third season action moves to Thailand.

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A Changing Landscape

The national and streaming television landscape for Major League Baseball will be changing for 2026 as the league prepares to overhaul its approach starting in 2029.  This past February, ESPN opted out of the final three years of its deal with the league that would have paid MLB $550 million per year.  Those rights will be split up three ways for the next three seasons, with chunks going to ESPN, Netflix, and NBC/Peacock.  Between the three, MLB is expected to get $750 million per year in total over the next three seasons.

ESPN will receive a national 30-game package throughout the season available exclusively on ESPN’s television networks and streaming app.  They will also continue to carry the Little League Classic and will stream over 150 out-of-market games, one per day, via the ESPN app.  In addition, they will take over control of the out-of-market streaming capabilities available today through MLB.tv.  Details on how that will work were not made available at this time.

Netflix will get exclusive rights to the standalone Opening Day game in prime time, the Home Run Derby and the Field of Dreams game.  No word yet on if they will produce these events in house and, if so, who the broadcasters may be.

NBC and its streaming app Peacock will become the new home of Sunday Night Baseball and the Wild Card round of the postseason.  The network will also take over the Sunday Leadoff game, a package that premiered on Peacock but has aired on Roku for the past two seasons.

The rest of the national agreements, with FOX, TBS, and Apple TV, will continue as is through 2028.  At that point, all of MLB’s television rights will be coming up together at the same time.  Commissioner Rob Manfred would like the league to control the local rights for all teams by that point, hoping a singular package will generate the most revenue.  Teams that have ownership stakes in their own local RSNs, like the Dodgers, Yankees, Mets, and Cubs, may not be aligned with this approach.

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Post Mortem – Ted Lasso

Ted Lasso, the football comedy that put Apple TV+ on the map when it premiered in 2020, wrapped up its run with the release of its third and final season last spring.  Based on a character created for promoting NBC’s coverage of the Premier League, the show starred Jason Sudeikis as an American football coach hired to coach an English soccer team and who brings a folksy, down-to-earth approach that overcomes his lack of knowledge of the game.

While there has been talk of spin-offs or other continuations, nothing has been announced as of yet.  Sudeikis seemed ready to move on, but the rest of the cast seemed ready to continue in some shape or form.  Time will tell, but I hope to revisit AFC Richmond and its cast of characters again in the future.

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2023: The Year In Television

With less and less good productions airing on network and cable and moving to the various streaming platforms, that seems to have taken over as my main form of television watching. Now that I work from home full time, I have plenty of time to take in whatever they have to offer. Since we cover the network and cable shows that I watch elsewhere, let’s take a look at the 23 seasons of shows I streamed on eight different platforms this year.

Black Mirror Season Six (Netflix)
The British anthology returns with a five-episode season that started strong, with one of the best episodes of the show’s run, but ended poorly.

Criminal Minds: Evolution Season 16 (Paramount+)
The BAU returns, minus a few key resources, to hunt down the most prolific serial killer they’ve ever faced.

Daisy Jones & The Six (Amazon Prime)
Based on the book by Taylor Jenkins Reid, it is the tale of how a garage band from Pittsburgh morphed into the biggest band in the world, and then how it all blew up.

DC’s Legends of Tomorrow Seasons 6-7 (Netflix)
The Legends see their travels through time and space come to an end.

Dead to Me Season Three (Netflix)
Christina Applegate and Linda Cardellini return for one last go-around.

Doctor Who Specials (Disney+)
David Tennant returns and helps Ncuti Gatwa usher in a new era for Doctor Who.

The Flash Season Nine (Netflix)
The show, and the CW’s Arrowverse, winds down with one final go-around.

The Flight Attendant Season Two (HBO Max)
Kaley Cuoco returns for another go-around as the alcoholic flight attendant who also works for the CIA.

Ginny & Georgia Seasons 1-2 (Netflix)
Imagine Gilmore Girls if Lorelai came from nothing and was somewhat amoral and Rory was bi-racial.

How I Met Your Father Season 2 (Hulu)
The second and final season leaves us hanging as to who the father would have been.

The Last Thing He Told Me (Apple TV+)
Jennifer Garner stars in the adaptation of the Laura Dave novel. Continue reading →

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Book 30 (of 52) – Lessons In Chemistry

Lessons in Chemistry – Bonnie Garmus

A headstrong woman, with a masters in chemistry, finds it hard to be taken seriously in the world of science in the 1950s.  When her life partner dies unexpectedly, she finds herself alone, pregnant, and jobless.  While trying to find a new path, she unexpectedly finds herself on television, teaching cooking through chemistry, and becomes something of a celebrity.  Meanwhile, her daughter and neighbor start to bring together a found family to replace the one she never had.

Bonnie Garmus’ debut novel, Lessons in Chemistry, won the 2022 Goodreads Choice Award for Best Debut Novel and was a nominee for Best Historical Fiction, which explains how it would up on my list of books to read.  I’ll confess that this really wasn’t my type of book, as I kept waiting for something to happen, but it just told a story of how women were treated by society in the not-so-distant past.  An adaptation for Apple TV+ is due this fall, with Brie Larson taking on the role of Elizabeth Zott, which I think will be a better medium for this particular tale.  At least for me.

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2022: The Year In Television

With less and less good productions airing on network and cable and moving to the various streaming platforms, that seems to have taken over as my main form of television watching.  Now that I work from home full time, I have plenty of time to take in whatever they have to offer.  Since we cover the network and cable shows that I watch elsewhere, let’s take a look at the 32 seasons of shows I streamed on nine different platforms this year.

Agents of S.H.I.E.L.D. Season 7 (Netflix)
The end of the road for the first series set in, but not completely part of, the Marvel Cinematic Universe.

Archive 81 Season 1 (Netflix)
A video archivist is hired to transfer video tapes rescued from a building fire, but they contain much, much more.

Barry Season 3 (HBOMax)
With the acting class disbanded, Barry falls back to his old job while trying to make amends.

The Blacklist Season 9 (Netflix)
Years after Elizabeth’s death, Red returns and the task force re-forms to track down her killer.

The Bear Season 1 (Hulu)
A world class chef inherits the family beef joint after his brother dies.

DMZ (HBOMax)
An adaptation of Brian Wood’s comic series about Manhattan becoming a DMZ following a second civil war.

The Flash Season 8 (Netflix)
Catching up in preparation for the upcoming final season.

High School Season 1 (Freevee)
An adaptation of the memoir from Tegan and Sara shows the twin girls growing up in Canada and discovering their musical talent.

How I Met Your Father Season 1 (Hulu)
Missing all the charm and humor of its predecessor but might have all been worth it for the surprise appearance in the last episode.

Inside Man (Netflix)
A misunderstanding leads to a math tutor being held hostage and a vicar doing anything he can to save his family.

Lost in Space Season 2 (Netflix)
The Robinsons manage to get to another planet, but run into more adventures. Continue reading →

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Mornings With The Peacock

On the heels of last month’s announcement of an exclusive streaming deal with Apple TV+, MLB announced another streaming deal, this time with Peacock, owned by NBC.  Worth an estimated $30 million to the poor MLB owners, the deal gives Peacock an exclusive window on Sunday mornings through 12:30 PM CT.  Games will begin at 10:30 CT through June 12, then move to an 11 AM start time for the remainder of the season.  In addition, Peacock will be the exclusive home of the Futures Game during All Star festivities and will also feature classic MLB games, award-winning documentaries from the MLB Film & Video Archive, and highlight packages available on-demand in a new MLB hub.

The Peacock slate kicks off on May 8 with the White Sox visiting the Red Sox and will be simulcast on NBC.  The south siders make an additional appearance in August while visiting the Guardians.  The Cubs, meanwhile, make their sole appearance while visiting the Phillies in July.  It is a shame that all three of these games are on the road.  It would be interesting to attend a game with an 11:00 (or earlier) start.

As I said last month, I see MLB expanding its reach into the streaming world to be a good thing.  Some will say that with these new exclusive deals, MLB is spreading their product around a little too much and they do have a point.  In order to watch every White Sox game this season as it happens, one would have to have access to NBC Sports Chicago, FOX, FS1, ESPN, Apple TV+. and Peacock.  That’s a lot of different services.  But how many fans actually try to watch every single game?  For the casual fan, MLB having a wide footprint can only be a good thing as they try to build the next generation of hard-core fans.

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Taking A Bite Of The Apple

Apple announced a new partnership with MLB today, broadcasting a weekly Friday night doubleheader, with pre- and post-game shows, exclusively on Apple TV+, assuming, of course, that the lockout ever ends and the season begins.  In addition to the weekly live games, Apple will broadcast a live highlight show, MLB Big Inning, every weeknight during the regular season.  They will also host a new 24/7 livestream with MLB game replays, news and analysis, highlights, classic games, and more, as well as a full complement of on-demand programming, including highlights and MLB-themed original content.

From Apple’s standpoint, this move makes a lot of sense.  MLB’s built-in audience will need to eventually subscribe to their streaming service in order to watch these games, giving them a boost that they must hope will carry over to the offseason.  It also doesn’t hurt baseball’s image to be associated with a forward-looking company like Apple, and getting a streaming option with no blackouts is certainly a step in the right direction.